Multimedia Art Productions

HARBA LORI FA - HERTOG JAN I VAN BRABANT(1254-1294)/NEIDHART(1190-1237)

CANTIGAS DE SANTA MARIA - ALFONSO X EL SABIO

  • Cantigas de Santa Maria for solo vihuela.

  • Crusade Song - Seigneurs, sachiez qui or ne s’en ira - Thibaut de Champagne (1201–1253)

    THERA COPPENS -Johanna en Margaretha - Gravinnen van Vlaanderen

    Medieval Art Collection Castle Huis Bergh


    ich sass

    Walther von der Vogelweide (c. 1170 – c. 1230) was a Minnesänger, who composed and performed love-songs and political songs ("Sprüche") in Middle High German. Walther has been described as greatest German lyrical poet before Goethe;[ his hundred or so love-songs are widely regarded as the pinnacle of Minnesang, the medieval German love lyric, and his innovations breathed new life into the tradition of courtly love. He is also the first political poet writing in German, with a considerable body of encomium, satire, invective, and moralising.
    Little is known about his life, but he was a travelling singer who performed for patrons at various princely courts in Germany. He is particularly associated with the Babenberg court in Vienna. Later in life he was given a small fief by the future Holy Roman Emperor, Frederick II.
    His work was widely celebrated in his time and in succeeding generations—for the Meistersingers he was a songwriter to emulate—and this is reflected in the exceptional preservation of his work in 32 manuscripts from all parts of the High German area. The largest single collection is found in the Codex Manesse, which includes around 90% of his known songs. However, most Minnesang manuscripts preserve only the texts, and only a handful of Walther's melodies survive.
    Notable songs include the love-song "Under der linden", and the religious
    Palästinalied, for which the melody has survived.

    Her Walther von der Vogelweide (1170-1230)- Ich saz ûf eime steine - Gautier de Coincy


    Walther von der Vogeleweide aank




    Margaretha:Thera


    Library



    THE MUSICK'S MONUMENT MEDIEVAL LIBRARY

    Huis Bergh HS. 3.   Ghent.    XVd
    Processionale // P, (8),  8o, 86 f., 192: 139 (30; 17, 132: 15, 95) // 1 min. on vellum, 28 in. penwork // Contemp. binding.

    Huis Bergh HS. 4.    Utr.     XVd
    Horae // V (8), 136 f., 140: 1O4 (18; 17, 80: 15, 59) // 10 painted in., penwork, borders (G) // Van Heek p. 103, Leloux 1980 p. 185.

    Diplomatische multimediale editie bezorgd
    door dr. Willem Kuiper & Matthijs Holwerda M.A.,
    Leerstoelgroep Historische Nederlandse Letterkunde Universiteit van Amsterdam


    Huis Bergh HS. 5.   Holl.    XVd
    Horae // V (8), 87 f., 90: 74 (17; 8, 75: 20, 47) // 4 painted in., penwork // Van Luttervelt p. 80, Leloux 1980 p. 186.


    Diplomatische multimediale editie bezorgd door
    door dr. Willem Kuiper & Matthijs Holwerda M.A.,
    Leerstoelgroep Historische Nederlandse Letterkunde Universiteit van Amsterdam


    Huis Bergh HS. 9. Brugge.     XVd
    Horae // V (8), 136 f., 205: 145 (19; 28, 117: 17, 78) // 14 min., 28 inh. in., 63 painted in., borders (G) // Original binding // Van Heek p. 96, 98.


    Huis Bergh HS. 26.    Fr. (?).    XVd
    Horae, Prayers // V (8), 40 f., 90: 63 (14; 14, 43: 14, 30) // Painted in., borders (G).


    Huis Bergh HS. 29.   Brugge (?).     XVd
    Horae // V  (8), 170 f., 119: 86 (16; 19, 65: 15, 43) // 13 min., painted in., penwork, borders (G).

    Huis Bergh HS. 34.   Fr.    XVd
    Sequences plus music, Manuale // V (8), 305 f., 148: 97 (21; 12, 98: 15, 42) // 2 min., painted in., penwork, borders (G).

    Huis Bergh HS. 35.   Luik.    XIIId
    Psalterium, Horae, Prayers // V (8), 176 f., 193: 124 (26; 18, 126: 15, 78) // 1 min., 24 hist. in., penwork, drôleries (G) // Van Heek p. 85, 107, Firmin-Didot, Sinclair p. 25.







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    Paula Bär-Giese Hans Meijer